Title page for ETD etd-06082011-054344

Type of Document Dissertation
Author Reounodji, Enoch
Author's Email Address ereoun1@tigers.lsu.edu
URN etd-06082011-054344
Title Regarding Westernization in Central Africa: Hybridity in the Works of Three Chadian Playwrights
Degree Doctor of Philosophy (Ph.D.)
Department Theatre
Advisory Committee
Advisor Name Title
Wade, Les Committee Chair
Clemons, Leigh Committee Member
Euba, Femi Committee Member
Murphy, James L. Committee Member
Sosnowsky, Kristin Committee Member
Cassidy, Jane Dean's Representative
  • Social Justice
  • Youth
  • Freedom of Opinion
  • Democracy
  • Better Society
  • Collective Consciousness
  • Hybridity
  • Homi Bhabha
  • Postcolonialism
  • Colonialism
  • Ouaga-Ballé Danaï
  • Maoundoé Naïndouba
  • Frank Kodbaye
  • Chadian Plays
  • Political Writing
Date of Defense 2011-05-18
Availability unrestricted
The second half of the nineteenth century played a determining role in the political, economic, social, and cultural spheres of Africa. The Berlin Conference of 1884-1885 witnessed European interests bargaining over the territories of Africa and arbitrarily dividing much of the continent into different countries under European control. This historical moment may be regarded as the height of Western influence over Africa, though it only continued the colonial tradition of viewing Africa as a land without culture, theatre, literature, or history (prior to the advent of the white man). The legacy of this outlook has placed African intellectuals and literary artists on the defensive. The denigration of Africa has challenged writers to reassess African culture and to champion Africa’s history and literature.

This study examines how three Chadian playwrights (notably, Danaï, Naïndouba, and Kodbaye) have through their literary craftsmanship challenged the colonial legacy and have invited a reconsideration and re-imagination of not only Chad but Africa as a whole. The plays of these writers criticize the Western-backed ruling class and attempt to restore dignity to the Chadian citizen. Unlike an earlier generation of African writers, who wished to go back to a romanticized past, these writers contest traditional outlooks that stand in the way of progress and modern viewpoints. They espouse a new vision of Chad, one that involves a hybrid notion of past, present, and future, an entity that may blend the better aspects of European and African politics and culture. While these writers give a strong critique of pro-French influence and the corruption that has become endemic to local governments, they point the way to a hopeful future. Their plays express a new self-consciousness; they are a shout of affirmation. Most importantly, these playwrights envision a political and social reality for a new Chad, a country to be proudly called home.

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