Title page for ETD etd-06072010-130848


Type of Document Master's Thesis
Author Thomas, Brandon Matthew
Author's Email Address bthom39@lsu.edu
URN etd-06072010-130848
Title Stereotype and Representation of Near and Middle Eastern Peoples in la bande dessinee
Degree Master of Arts (M.A.)
Department French Studies
Advisory Committee
Advisor Name Title
Russo, Adelaide Committee Chair
Costello, Brannon Committee Member
Leupin, Alexandre Committee Member
Stone, Gregory W. Committee Member
Keywords
  • text-image
  • comics
  • graphic novels
  • caricature
  • visual culture
  • sequential art. Arab
  • arabs
  • Arabs
  • french literature
  • French
  • islam
  • muslims
  • muslim
  • Edward Said
  • WJT Mitchell
  • Scott McCloud
  • Gordon Allport
  • Herge
  • Christophe
  • Schuiten
  • freedom of speech
  • expression
  • photography
  • photographe
  • Lemercier
  • Lefevre
  • Guibert
  • Peeters
Date of Defense 2010-05-07
Availability unrestricted
Abstract
Representation of social groups in the comics is serious. In 2006, a series of twelve cartoons published in a Danish newspaper sparked a controversy that precipitated the deaths of hundreds of people. The images depicted Mohammed and other images that supposedly mocked Islam. All across Europe, the Middle East, and North Africa protesters paraded through the streets, some calling for the death of the cartoonists. Trials in Europe over the publication of these cartoons resulted in several firings. Counter protests have also arisen. These protesters found grievance with the firings, claiming that the freedom of the press was being violated (especially in France, concerning the publication Charlie Hebdo).

Aside from these inflammatory images, comics’ artists have been depicting peoples of the Near and Middle East since the foundations of the medium by Rodolphe Töpffer. Over approximately 150 years, representation of these peoples have changed in some ways and remained the same in others. Specifically, the franco-belgian tradition of comics (also known as la bande dessinée) have been instrumental in the creation and proliferation of several stereotypes about Near and Middle Eastern peoples.

This thesis examines the relationships between these stereotypes and the medium of the bande dessinée. Through a wide variety of criticisms and sources, the researcher found that there exists a focused trend to lessen the degree to which stereotyping of Arabs occurs. Via content and context analysis, the researcher discovered several key factors in the evolution of the Arab stereotype. These factors include political and religious affiliations of the authors and publishers, the type of narrative chosen, and artistic style of the author/ illustrator, amongst others. The additions these authors and illustrators make to the available bodies of literature provide a framework in which to ground psychological and sociological studies of a particular nature, that being the sensitivities of artists in regards to representation.

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