Type of Document Dissertation Author Levin, Cherry Lynne Author's Email Address email@example.com URN etd-04252012-225800 Title Wedding Belles and Enslaved Brides: Louisiana Plantation Weddings in Fact, Fiction and Folklore Degree Doctor of Philosophy (Ph.D.) Department English Advisory Committee
Advisor Name Title Lowe, John Committee Chair Costello, Brannon Committee Member deCaro, Frank Committee Member ware, carolyn Committee Member Bach, Jacqueline Dean's Representative Keywords
Date of Defense 2012-04-17 Availability unrestricted AbstractWedding Belles and Enslaved Brides: Louisiana Plantation Weddings in Fact, Fiction and Folklore
Dissertation directed by Professor John Wharton Lowe, Robert Penn Warren Professor of English
Pages in dissertation, 380, Words in Abstract, 234
Along with rites of passage marking birth and death, wedding rituals played an important role in ordering social life on antebellum Louisiana plantations, not only for elite white families but also for the enslaved. Louisiana women's autobiographical accounts of plantation weddings yield considerable insights on the importance of weddings for Louisiana plantation women before, and especially during, the Civil War. Moreover, information contained within the Louisiana Writers' Project narratives reveal various types of wedding ritual used to unite the enslaved on Louisiana plantations despite laws and codes that prohibited slave unions. In contrast to these historical accounts, plantation weddings in the fictional imagination reveal that the figure of the bride reflects careful authorial negotiation of racialized and gendered ideologies. Fictional images found in a wide-ranging collection of texts portray the Louisiana plantation wedding as a site of struggle by white or black brides against racial and patriarchal constraints. Currently, heritage tourism perpetuates notions of whiteness on Louisiana plantations, fostering romantic nostalgia of the past and adaptation of that past into the present. For contemporary brides, choosing a Louisiana plantation as a wedding venue evokes stereotyical notions of the Old South in terms of gendered femininity. Yet, there is some indication that previously entrenched notions of racial and class hierarchies are slowly being overturned. This project begins with a reenacted wedding at Rosedown Plantation State Historic Site, providing a discursive framework for examining the manner in which the white southern belle or the enslaved bride and her wedding on a Louisiana plantation recycle through historical, fictional and contemporary productions.
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