Type of Document Dissertation Author Day, Angela R. Author's Email Address email@example.com, firstname.lastname@example.org URN etd-04042008-145222 Title A Performer's Guide to Libby Larsen's Try Me, Good King: Last Words of the Wives of Henry VIII Degree Doctor of Musical Arts (D.M.A.) Department Music Advisory Committee
Advisor Name Title Patricia O'Neill Committee Chair Ginger Robertson Committee Co-Chair Loraine Sims Committee Member Lori Bade Committee Member Rachel Hall Dean's Representative Keywords
- Libby Larsen
- Try Me Good King
Date of Defense 2008-03-28 Availability unrestricted AbstractAmerican composer Libby Larsen has created works in many musical genres. Larsenís vocal music recordings have featured well-known performers such as Arleen Augťr, for which Larsen won a Grammy as producer. Her vocal music employs texts from various sources including Nursery Rhymes and the Bible, as well as numerous others.
Larsen works solely on commission, and in 2000 Larsen was approached by the Marilyn Horne Foundation to compose a group of songs for Metropolitan Opera competition winner, soprano Meaghan Miller. Larsen had always been interested in the wives of Henry VIII and the commission request finally gave her the opportunity to research and characterize the Queens through this set of powerful songs.
The texts for Larsenís Try Me, Good King: Last Words of the Wives of Henry VIII come from the Queensí letters and/or gallows speeches. This document provides a complete performance guide that encompasses Larsenís background, a basic historical sketch of each Queen, and a discussion of topics pertinent to the successful performance of the work.
The first chapter of this document includes a brief biographical sketch, as well as an explanation of Larsenís lifelong interest in the Queens. In addition, her journey through the compositional process of Try Me, Good King is discussed.
Included in the second chapter is a historical sketch of the Queens. Performers must understand the background of each Queen in order to successfully perform the work.
The final chapter of this document covers each individual song with Larsenís insights and suggestions for a complete performance. Performance and practice suggestions, as well as corrections to the score and additional lute song quotations are addressed with musical examples as needed.
Appendix A includes the texts of the lute songs Larsen used in the construction of this work. Appendix B lists the full letters and speeches that Larsen used to create the texts for the work. Appendix C provides a discography of Larsenís vocal music. Appendix D is a listing of Larsenís vocal music. Appendix E is a copy of the permission for copyright letter from Oxford University Press.
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